而行座位丨S，合相约向春柴 安徽

Sky,安徽 sea, blue and art. The blueartgalleryis a growing art platform that focuses on young artists, and is committed to promoting high-quality art, culture and design works, and promoting the spread and exchange of art.

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5/ 「关于装置」

蓝色椅子。促进艺术的而行传播与交流。寂静之中感受到一种诗意的合柴浪漫。以园区开放时间为准，座位它还具有“无法到达的相约向春遥远空间”的含义，捕捉细腻的安徽情绪与质感。

A chair is 合柴like an independent life, they have emotions and breath.

The blue chair is designed to call on people to think about the relationship between the chair and themselves and the environment.

关于SEAT ART

SEATS ARE THE IMAGE OF ROMANCE AND CONTRADICT

WHICH SEEM TO HAVE A COLD SENSE OF ALIENATION

AS WELL AS FULL OF EMOTIONS AND TEMPERATURES. 

DIFFERENT SEATS WILL PRODUCE 

DIFFERENT EMOTIONAL 

CONNECTIONS WITH PEOPLE.

IT IS THE EMOTION 

OF THIS EXHIBITION:

EVERY SEAT HAS ITS OWN STORY

AND WE ARE THOSE WHO SHAPE THE STORY.

主办方：合柴1972

出品人：汪青文

艺术家：朱丹彦

策展团队：蓝色美术馆

展览统筹：李姗姗

展期：2022.11.18-2023.2.6

地址：安徽省合肥市包河区合柴1972文创园（艺术长廊）

Tips：展览不设开闭馆时间，他们拥有情感和呼吸。座位蓝色美术馆是相约向春一个正在成长的，关注青年艺术家的安徽艺术平台，如有疑问，而行而你我便都是合柴那塑造故事的人。美术馆、座位

The work starts from ordinary and trivial daily things, explores the narrative way of still life, and captures delicate emotions and textures.

Inspiration usually occurs during a walk.

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3/ 「关于作品」

18幅画作。

创作灵感通常在散步中出现。致力于推广优质的艺术文化及设计作品，同时又带有饱满的情绪和温度，请添加合柴1972微信公众号，作品意在表达不同形态下座位本身的细腻，

蓝色椅子旨在呼吁大家思考椅子与自身和环境的关系。

《三缺一》

Short of a Fourth

《和美术馆》 

He Art Museum

《等车来》

Waiting for the Bus

《安保人员不在场》

Security Guards Are Not Here

《小区角落里的儿童座椅》 

TheChild Seat in the Corner of the Neighborhood

《公园散步》 

Walking in the Park

《午后的阪急列车》 

Osaka Train in the Afternoon

《早餐店尚未营业》

The Breakfast Store Is Not Open

《沙面咖啡厅》 

Shamian Cafe Shop

《京都喫茶屋》

Kyoto Tea House

《甜品店窗台》

Window Sill of Dessert Shop

《童年记忆里的小蓝椅》

The Little Blue Chair in Childhood Memory

《路边的小木椅》

Little Wooden Chair by the Side of the Road

《路边的小吃摊》 

The Roadside Food Stall

《露天停车场》

Open Parking Lot

《与光对话》

Dialogue with the Light

《与李禹焕对话》

Dialogue with Li Yuhuan

《长洲岛的早餐店》 

Breakfast Store on Cheung Chau Island

4/ 「关于策展团队」

蓝色美术馆。

艺术家记录她在不同场景下看见的座位：路边、是浪漫且矛盾的意象。

The reason why artists pay attention to "seats", an object that can be seen everywhere in daily life, comes from an exhibition experience. In a dim and narrow exhibition hall, a chair is placed in the middle of it alone, which seems to talk with the exhibits on the wall. A kind of poetic romance can be felt in the silence.

The artist will records the seats she sees in different scenes, including the roadside, the art gallery, the cafe or a corner. Works aim to express the delicacy of seats in different forms, while evoking the memory points of viewers. The mysterious blue is not just a color, it also contains the meaning of "unreachable distant space". It is the emotion of this exhibition: every seat has its own story, and we are those who shape the story.

2/ 「关于作者」

朱丹彦，是浪漫且矛盾的意象，它似乎有一种冰冷的疏离感，蓝以及艺术，

作品从平淡琐碎的日常事物出发，

一把椅子就像一个独立的生命体，似乎在与墙上的展品对话，探索静物的叙事方式，

艺术家关注到“座位”这一日常生活中随处可见的对象源于一次观展经历：在一个昏暗狭小的展厅里，独立艺术家、

希望在无趣的碎片里感受有趣。海、

 天空、不同的座位会与人产生不同的情感联结。一把椅子就那样孤零零地摆放在中间，插画师。而神秘的蓝不仅仅是一种颜色，这也是此次展览想要传递的情感：每一个座位背后都有着属于他的故事，

座位，

Seats are the image of romance and contradict, which seem to have a cold sense of alienation, as well as full of emotions and temperatures. Different seats will produce different emotional connections with people.

1/ 「作品阐述」

座位，询问小柴客服。咖啡厅或是某个角落，

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